For the average listener, the Stan Getz/Joao Gilberto Bossa Nova album is the greatest Bossa album ever! However, if anyone has ever heard this Cannonball Adderley and the Bossa Rio Sextet (Featuring Sergio Mendes) album, they would know that this album should be THE quintessential Bossa album!! I stand by that!! LOL No, music isn’t a competition but I just love Cannonball. Anyways, hope you enjoy his solo on “Minha Saudade.”
Between Grover Washington Jr. and Cannonball Adderley I’m not sure who is a bigger influence on my playing. To me, they both have a very soulful and personal approach to how they play. The best quality of their playing is how they both really know how to make a melody sing! This is a quality I’ve always wanted in my playing. I first heard Cannonball Adderley on a soul record he made that was called “Mercy Mercy Mercy.” Some of the cuts off this album are “Mercy Mercy Mercy,” “Hippodelphia,” “Fun, “Games,” andÂ “Sticks” (my favorite). I believe I first heard “Sticks” and it really stuck with me how much feeling he was playing with and the edgy sound he was getting out of the alto! The beautiful thing about Cannonball is his control and his ability to make the alto sound so different depending on the occasion but still always sounding like himself. I wanted that type of control and still strive for that everytime I pick up my horn. I still transcribe Cannonball solos because there is so much you can learn from him. I’m currently working on his solos from this album with John Coltrane.